About - April Gornik

APRIL GORNIK

Born in 1953 in Cleveland, OH

Lives and works in Sag Harbor, NY

EDUCATION

1976 BFA, Nova Scotia College of Art and Design, Halifax, Canada

SOLO EXHIBITIONS

2023 Miles McEnery Gallery, New York, NY

2020 Miles McEnery Gallery, New York, NY

2016 Danese/Corey Gallery, New York, NY

2015 Pace Prints, New York, NY

2014 Danese Gallery, New York, NY

2013 Dayton Art Institute, Dayton, OH

2012 Barbara Edwards Contemporary, Toronto, Canada

2011 Danese Gallery, New York, NY

2009 Heckscher Museum of Art, Huntington, NY

2008 Danese Gallery, New York, NY

2006 Allen Memorial Art Museum, Oberlin, OH

2005 Art Gallery of Nova Scotia, Halifax, Canada

Sheldon Memorial Art Gallery, Lincoln, NE

Danese Gallery, New York, NY

2004 Neuberger Museum of Art, Purchase, NY

2003 Danese Gallery, New York, NY

2002 Huntington Museum of Art, Huntington, WV

2001 Danese Gallery, New York, NY

2000 Edward Thorp Gallery, New York, NY

1999 Glenn Horowitz Bookseller, East Hampton, NY

Harley Baldwin Gallery, Aspen, CO

1998 University of the Arts, Philadelphia, PA

Pennsylvania Academy of the Fine Arts, Philadelphia, PA

1997 Turner & Runyon Gallery, Dallas, TX

1996 Edward Thorp Gallery, New York, NY

1995 Kohn Turner Gallery, Los Angeles, CA

1994 Edward Thorp Gallery, New York, NY

Guild Hall, East Hampton, NY

Offshore Gallery, East Hampton, NY

1993 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA

Mary Ryan Gallery, New York, NY

1992 Edward Thorp Gallery, New York, NY

1990 Edward Thorp Gallery, New York, NY

1988 Carolyn Campagna Kleefeld Contemporary Art Museum, Long Beach, CA

The Sable-Castelli Gallery, Toronto, Canada

1987 Edward Thorp Gallery, New York, NY

1986 Edward Thorp Gallery, New York, NY

1985 The Sable-Castelli Gallery, Toronto, Canada

Galerie Springer, Berlin, Germany

1984 Edward Thorp Gallery, New York, NY

Texas Gallery, Houston, TX

1983 Museum of Contemporary Art, Cleveland, OH

Edward Thorp Gallery, New York, NY

1982 Edward Thorp Gallery, New York, NY

University of Colorado Art Galleries, Boulder, CO

1981 Edward Thorp Gallery, New York, NY

GROUP EXHIBITIONS

2025 “Eric Fischl/April Gornik,” The National Arts Club, New York, NY

“Mother Nature in the Bardo,” BlackBook, Brooklyn, NY

2024 “All Bangers, All The Time: 25th Anniversary Exhibition,” Miles McEnery Gallery, New York, NY

“Couples Squared” (curated by Phyllis Tuchman), Southampton Arts Center, Southampton, NY

“Beyond the Horizon: Interpretations of the Landscape from Women in the Permanent Collection,” Parrish Art Museum, Water Mill, NY

2023 “50 Paintings,” Milwaukee Art Museum, Milwaukee, WI

“American Women Artists from the Collection of Edward T. Pollack ‘55,” The Dove Block Project, Geneva, NY

2022 “Boil, Toil & Trouble” (curated by Zoe Lukov), Art in Common, Miami, FL

“HOLY WATER,” Eric Firestone Gallery, East Hampton, NY

“American Landscapes,” The David C. Driskell Center, University of Maryland, College Park, MD

“COMPETERE: An Exhibition of Artist Couples,” The Bo Bartlett Center, Columbus State University, Columbus, GA

“Empire of Water,” The Church, Sag Harbor, NY

2020 “It’s All About Water” (curated by Elizabeth Fiore & Melissa Feldman), The Storefront, Bellport, NY

“Do You Think It Needs a Cloud?,” Miles McEnery Gallery, New York, NY

2019 “That 80s Show,” Nassau County Museum of Art, Roslyn Harbor, NY

“LandEscape,” Katonah Museum of Art, Katonah, NY

2017 “Black & White,” Tripoli Gallery, Southampton, NY

“Photography of Place,” Palm Beach Photographic Centre, West Palm Beach, FL

2016 “Water|Bodies,” Southampton Arts Center, Southampton, NY

2015 “Seeing Nature: Landscape Masterworks from the Paul Allen Family Collection,” Portland Museum of Art, Portland, OR; traveled to The Phillips Collection, Washington, D.C.; Minneapolis Institute of Art, Minneapolis, MN; New Orleans Museum of Art, New Orleans; and the Seattle Art Museum, Seattle, WA

“Frontiers Reimagined,” 56th International Exhibition of La Biennale di Venezia, Museo di Palazzo Grimani, Venice, Italy

2013 “The Beacon,” Salomon Contemporary, New York, NY

“A Discourse on Plants,” RH Gallery, New York, NY

2011 “Bon a Tirer,” Barbara Edwards Contemporary, Toronto, Canada

“The Value of Water,” Cathedral of St. John the Divine, New York, NY

“Works on Paper,” Danese Gallery, New York, NY

“Delinear,” Barbara Edwards Contemporary, Toronto, Canada

“Joe Fig: Inside the Painter’s Studio,” Massachusetts College of Art, Boston, MA

“In the Presence of Light,” Danese Gallery, New York, NY

2010 “Works on Paper,” Danese Gallery, New York, NY

“Gallery Dedication Group Show,” Charles P. Sifton Gallery, New York, NY

2009 “Invitational Exhibition of Visual Arts,” American Academy of Arts and Letters, New York, NY

“The Print Club of New York: Seventeen Years of Commissioned Prints,” The National Arts Club, New York, NY

“Mixed Greens,” Parrish Art Museum, Southampton, NY

“Then & Now: Contemporary Artists Revisit the Past,” Arkell Museum, Canajoharie, NY

“Forces of Nature,” Danese Gallery, New York, NY

“The Tree,” James Cohan Gallery, Shanghai, China

“American Landscapes: Treasures from the Parrish Art Museum,” Parrish Art Museum, Southampton, NY

2008 “Inspired by the Light: Landscapes by East End Masters,” Guild Hall, East Hampton, NY

“From Here to the Horizon: American Landscape Prints,” Zimmerli Art Museum, New Brunswick, NJ

2007 “Audacity in Art: Selected Works from Central Florida Collections,” Orlando Museum of Art, Orlando, FL

“Paper Trails: A Century of Women’s Prints, Drawings, & Photographs,” Herbert F. Johnson Museum of Art, Ithaca, NY

“Monoprints,” Pace Prints, New York, NY

“Picturing Long Island,” Heckscher Museum of Art, Huntington, NY

2006 “New Old Masters,” National Museum of Gdansk, Gdansk, Poland

“Tapestries,” Sullivan Goss Gallery, Montecito, CA

2005 “Landscapes and Cityscapes,” Marlborough Gallery, New York, NY

“The 237th Summer Exhibition, 2005,” Royal Academy of Arts, London, United Kingdom

“Artists and Nature on Eastern Long Island: 1940s to the Present,” Spanierman Gallery, East Hampton, NY

“Contemporary Woodblock Prints,” Yoshiaki Inoue Gallery, Osaka, Japan

“Drawn to Cleveland,” Museum of Contemporary Art, Cleveland, OH

2004 “Images of Time and Place: Contemporary Views of Landscape,” Lehman College Art Gallery, New York, NY

“A Celebration of the Arts Lifetime Achievement Honorees in the Visual Arts,” Guild Hall, Southampton, NY

“North Fork/South Fork: East End Art Now,” Parrish Art Museum, Southampton, NY

“Art from the Paris Review,” Guild Hall, Southampton, NY

“Temporalscape,” Haines Gallery, San Francisco, CA

2003 “Graphic Masters: Highlights from the Smithsonian American Art Museum,” Heckscher Museum of Art, Huntington, NY; traveled to Palmer Museum of Art, Pennsylvania State University, University Park, PA; traveled to Hunter Museum of American Art, Chattanooga, TN; Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY; and Plains Art Museum, Fargo, ND

2002 “Curious Terrain,” Elizabeth Harris Gallery, New York, NY

“Northern Light,” Danese Gallery, New York, NY

“Darkness and Brightness,” Sears-Peyton Gallery, New York, NY

2001 “Inaugural Exhibition,” Michael Kohn Gallery, Los Angeles, CA

“The Private Collection of Steve Martin,” Bellagio Gallery, Los Vegas, NV

“Follies,” Parrish Art Museum, Southampton, NY

“Peaks,” Kagan Martos Gallery, New York, NY

“Stormy Weather,” Steven Scott Gallery, Baltimore, MD

2000 “Drawings 2000,” Barbara Gladstone Gallery, New York, NY

“Art of the 80s,” Winston Wächter Fine Art, New York, NY

“Group Landscape Exhibition,” Winston Wächter Fine Art, Seattle, WA

“Works on Paper 2000,” Residence of the American Ambassador of The Slovak Republic, Bratislava, Slovakia

“The Perpetual Well: Contemporary Art from the Jewish Museum,” Harn Museum of Art, Gainesville, FL

1999 “Water: A Contemporary American View,” Gibbes Museum of Art, Charleston, SC; traveled to the Mobile Museum of Art, Mobile, AL; and the Woodson Art Museum, Wausau, WI

“Why Draw a Landscape?,” Crown Point Press Gallery, San Francisco, CA and Karen McCready Gallery, New York, NY

“A Place in the Sun,” Steven Scott Gallery, Baltimore, MD

“As Far as the Eye Can See,” Atlanta College of Art Gallery, Atlanta, GA

1998 “Encyclopedia,” Turner and Runyon Gallery, Dallas, TX

“Gifts for a New Century,” Parrish Art Museum, Southampton, NY

“After Nature,” Herter Art Gallery, Amherst, MA

“New Releases: April Gornik, Tom Marioni, Pat Steir,” Crown Point Press Gallery, San Francisco, CA

“Cityscape/Landscape,” Karen McCready Fine Art, New York, NY

“80s Artists Then and Now,” Elizabeth Mayer Fine Art, New York, NY

“Selections from the Collection: Guild Hall,” Guild Hall Museum, East Hampton, NY

“Cleveland Collects,” The Cleveland Museum of Art, Cleveland, OH

“The Joe Wilfer Show: Collaborations in Paper and Printmaking,” Plattsburgh Art Museum, Plattsburgh, NY

“The Centennial Open,” Parrish Art Museum, Southampton, NY

“Divining Nature,” Southeast Center for Contemporary Art, Winston-Salem, NC

“Prints by Painters,” Paul Kuhn Gallery, Calgary, Canada

“The Portraits Speak: Chuck Close in Conversation with 27 of his Subjects,” Dorfman Projects, New York, NY

“Movements of Grace: Spirit in the American Landscape,” Winston Wächter Fine Art, New York, NY

“Landscapes,” Meyerson & Nowinski, Seattle, WA

1997 “In Plain Sight,” Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY

“A Reversal of Scale,” Turner and Runyon Gallery, Dallas, TX

“Woodwork,” Fisher Landau Center, Long Island City, NY

“Eight From Ohio: In and Out of Bounds,” Hammond Gallery, Lancaster, OH

1996 “Destiny Manifest: American Landscape Paintings in the Nineties,” Samuel P. Harn Museum of Art, Gainesville, FL

“20/20: The Visionary Legacy of Doris Chanin Freedman,” Albright College Center for the Arts, Reading, PA

“Water,” James Graham & Sons, New York, NY

“Master Workshop Exhibition,” Fine Arts Gallery at Southampton College, Southampton, NY

1995 “Re-Presenting Representation II,” Arnot Art Museum, Elmira, NY

“Elementum,” Mary Ryan Gallery, New York, NY

“Revisiting Landscape,” California Center for the Arts, Escondido, CA

“100 Personal Heroes Part 2,” Galerie De La Tour, Amsterdam, The Netherlands

“American Art Today: Night Paintings,” Frost Art Museum, Florida International University, Miami, FL

1994 “Inspired by Nature,” Neuberger Museum of Art, Purchase, NY

“Changing Views,” Feigen Inc., Chicago, IL

“Timely and Timeless,” The Aldrich Contemporary Art Museum, Ridgefield, CT

“Landscape Not Landscape,” Gallery Camino Real, Boca Raton, FL

“Mountains of the Mind: American Mountain Landscape Painting,” Aspen Art Museum, Aspen, CO

1993 “Living With Art: The Collection of Ellyn and Saul Dennison,” The Morristown Museum, Morristown, NJ

“25 Years,” Museum of Contemporary Art, Cleveland, Cleveland, OH

“Landscape as Metaphor,” Eli Whitney Museum, Hamden, CT

1992 “Four Friends,” The Aldrich Contemporary Art Museum, Ridgefield, CT; traveled to the Rayburn Foundation, New York, NY; Ringling Museum, Sarasota, FL; and the Oklahoma Museum of Art, Oklahoma City, OK

“Selective Vision,” Transamerica Pyramid Lobby, San Francisco, CA

1991 “Romance and Irony in Recent American Art,” Parrish Art Museum, Southampton, NY

“Presswork: Art of Women Printmakers,” National Museum of Women in the Arts, Washington, D.C.

“Landscapes,” Mary Ryan Gallery, New York, NY

“Landscape Painting,” Annina Nosei Gallery, New York, NY

1990 “Terra Incognita,” Rhode Island School of Design Museum, Providence, RI

“Contemporary American Artists,” Residence of the Ambassador, Mexico City, Mexico

“The (Un)Making of Nature,” Whitney Downtown at Federal Reserve Plaza, New York, NY and Fairfield County, CT

“Romance & Irony in Recent American Art,” The Art Gallery of Western Australia, Perth, Australia

“Harmony & Discord: American Landscape Today,” Virginia Museum of Fine Arts, Richmond, VA

“Didier Nolet: Dreams of a Man Awake,” Chicago Public Library Cultural Center, Chicago, IL

1989 “10 + 10: Contemporary Soviet & American Painters,” Modern Art Museum of Fort Worth, TX; traveled to San Francisco Museum of Modern Art, San Francisco, CA; Albright Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, D.C.; Artists’ Union Hall of the Tretyakov Embankment, Moscow, Soviet Union; Central Artists’ Hall, Tbilisi, Georgia; and the Central Exhibition Hall, Leningrad, Soviet Union

“1989 Biennial Exhibition,” Whitney Museum of American Art, New York, NY

“Painting Horizons: Jane Freilicher, Albert York, April Gornik,” Parrish Art Museum, Southampton, NY

“A Decade of Drawings: 1980-1989,” Daniel Weinberg Gallery, Los Angeles, CA

“A Certain Slant of Light: The Contemporary American Landscape,” The Dayton Art Institute, Dayton, OH

“The 1980s: Prints from the Collection of Joshua P. Smith,” National Gallery of Art, Washington, D.C.

“Nocturnal Visions in Contemporary Painting,” Whitney Museum of American Art, New York, NY

“Art of the ‘80s from the Chemical Bank Collection,” Montclair Art Museum, Montclair, NJ

“American Art Today: Contemporary Landscape,” Frost Art Museum, Florida International University, Miami, FL

1988 “Art for Your Collection,” Rhode Island School of Design Museum, Providence, RI

“Drawing on the East End, 1940-1988,” Parrish Art Museum, Southampton, NY

“Changing Perspectives in Contemporary Representations,” Marlborough Gallery, New York, NY

“Realism Today: American Drawings from the Rita Rich Collection,” National Academy of Design, New York, NY; traveled to Smith College, Northampton, MA; Arkansas Arts Center, Little Rock, AK; and the Butler Institute, Youngstown, OH

1987 “Art of the Twentieth Century,” Hood Museum, Dartmouth College, Hanover, NH

“The New Romantic Landscape,” Whitney Museum of American Art, Stamford, CT

“1976-1986: Selections from the Edward R. Downe, Jr. Collection,” Wellesley College Museum, Wellesley, MA

“Boundless Realism: Contemporary Landscape Painting in the West,” The Rockwell Museum, Corning, NY

1986 “New Narrative Painting: Selections from The Metropolitan Museum of Art,” Phoenix Art Museum, Phoenix, AZ

“A Contemporary View of Nature,” The Aldrich Contemporary Art Museum, Ridgefield, CT

“Art on Paper,” Weatherspoon Art Gallery, Greensboro, NC

“Spectrum, Natural Settings,” Corcoran Gallery of Art, Washington, D.C.

“Still Life/Life Still,” Michael Kohn Gallery, Los Angeles, CA

“Public and Private: American Prints Today, 24th National Print Exhibition,” Brooklyn Museum, New York, NY

“Landscape in the Age of Anxiety,” Lehman College Art Gallery, New York, NY

1985 “American Painting 1975-1985,” Aspen Art Museum, Aspen, CO

“Night Lights,” Taft Museum, Cincinnati, OH

“Currents,” Institute of Contemporary Art, Boston, MA

“Sources of Light,” Henry Art Gallery, Seattle, WA

1984 “Paradise Lost/Paradise Regained: American Visions of the New Decade,” United States Pavilion (organized by The New

Museum of Contemporary Art), 41st International Art Exhibition of La Biennale di Venezia, Venice, Italy; traveled to Lisbon, Portugal; Madrid, Spain; Athens, Greece; Belgrade, Yugoslavia; Budapest, Hungary

“A Celebration of American Women Artists, Part II: The Recent Generation,” Sidney Janis Gallery, New York, NY

“The Innovative Landscape,” Holly Solomon, New York, NY

“A Tribute To James and Mari Michener,” Archer M. Huntington Art Gallery, The University of Texas at Austin, Austin, TX

SELECT AWARDS
2025 Medal of Honor for Achievement in Fine Arts, The National Arts Club, New York, NY
2004 Annual Honoree, Neuberger Museum of Art, Purchase, NY
2003 Lifetime Achievement Award, Guild Hall Museum, East Hampton, NY

BIBLIOGRAPHY: BOOKS AND CATALOGUES
Acker, Kathy and Ronell, Avital. Time Capsule: A Concise Encyclopedia by Women Artists. New York: Creative Time & SOS International, 1995.
Albee, Edward, and Ash, Lorinda. Works on Paper 2000. Exh. cat. Bratislava, The Slovak Republic, 2000.
Armstrong, Richard, and Hanhardt, John G, and Marshall, Richard, and Phillips, Lisa. 1989 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1989.
Arthur, John. Green Woods and Crystal Waters: The American Landscape Tradition. Exh. cat. Tulsa, O.K.: The Philbrook Museum of Art, 1999.
Baur, John I.H. Realism Today: American Drawings from the Rita Rich Collection. Exh. cat. New York, N.Y.: The National Academy of Design, 1987.
_____, Bluer. Exh. cat. Chicago: Carrie Secrist Gallery, 2000.
Broun, Elizabeth, and Kloss, William. National Museum of American Art. New York: Little, Brown and Co, 1995
Brown, J Carter, Gift To the Nation. Washington, D.C.: Friends of Art and Preservation in Embassies, 2001.
Brown, Kathan and Kushner, Robert. Contemporary Woodblock Prints, Print by Tadashi Toda. Exh cat. Osaka, Japan: Yoshiaki Inoue Gallery, 2005.
Brown, Kathan. ink, paper, metal, wood: Painters and Sculptors at Crown Point Press. San Francisco: Chronicle Books, 1996.
Brown, Kathan. Why Draw a Landscape? San Francisco: Crown Point Press, 1999
_____, A Celebration of American Women Artists–Part II: The Recent Generation. Exh. cat. New York: Sidney Janis Gallery, 1984
Charlotte, Susan. Creativity: Conversations With 28 Who Excel. New York: Momentum Books, 1993.
Colacello, Bob, and Becker, Jonathan. Studios By the Sea: Artists of Long Island's East End. New York: Harry N Abrams, 2002.
Combes, Chantal. The New Romantic Landscape. Exh. cat. Fairfield, C.T.: Whitney Museum of American Art, 1987
Cozzonlino, Robert. The Female Gaze. Exh. cat. Philadelphia, P.A.: Philadelphia Museum of Fine Artst, 2012.
Dennison, Lisa. Living With Art: the Collection of Ellyn & Saul Dennison. Exh. cat. New Jersey: The Morris Museum, 1993.
Dingwall, Kenneth and Moore, John L. Drawn to Cleveland. Exh. cat. Cleveland, OH: Museum of Contemporary Art, 2005.
Fig, Joe. Inside the Painter’s Studio. New York: Princeton Architectural Press, 2009.
Ebony, David. 80s Artists Then and Now. Exh. cat. New York: Elizabeth Mayer Fine Art, 1998.
Einspruch, Julia and Molesworth, Helen. The (Un)Making of Nature. Exh. cat. New York: Whitney Museum of American Art, 1990.
Enright, Robert. Peregrinations: Conversations with Contemporary Artists. Winnipeg & Buffalo: Bain and Cox, 1997.
Fenner, Gallagher, and McCarty, the @tached document #2, Boston: Bootstrap Press, 2002.
Ferguson, Bruce W. Appearing. Exh. cat. Halifax, N.S.: Art Gallery Mount Saint Vincent University, 1983.
Ferguson, Bruce W. Four Friends. Exh. cat. Ridgefield, C.T.: The Aldrich Museum of Contemporary Art, 1992.
Fig, Joe. Inside the Painter’s Studio. New York: Princeton Architectural Press, 2009.
Fine, Ruth E. and Brown, J. Carter. The 1980s–Prints from the Collection of Joshua P. Smith. Exh. cat. Washington, D. C.: National Gallery of Art, 1989.
Floria, David and Hoffeld, Jeffrey. American Paintings 1975-1985–Selections from the Aron and Phyllis Katz Collection Collection. Exh. cat. Aspen: The Aspen Art Museum, 1985.
Frank, Peter. Historically Speaking UAM: 25 Years of Excellence. Exh. cat. Long Beach, Calif.: University Art Museum, 1999.
Freeman, Keller Cushing, and Press, Aida K. Just Like a Woman. Exh. cat. North Carolina: Greenville County Museum of Art, 1988.
Gallati, Barbara Dayer. American Art Today: Night Paintings. Exh. cat. Miami: The Art Museum at Florida International University, 1995.
Garver, Thomas H. Water: A Contemporary American View. Exh. cat. Charleston: Gibbes Museum of Art, 1999.
Gedeon, Lucinda H. Inspired By Nature. Exh. cat. Purchase, N.Y.: Neuberger Museum of Art, 1994
Godfrey, Tony. Painting Today. London, New York: Phaidon Press Ltd., 2009
Grachos, Louis. Romance and Irony in Recent American Art. Exh. cat. Perth: Art Gallery of Western Australia, 1989
Hansen, Trudy Victoria and Heartney, Eleanor. Presswork: The Art of Women Printmakers. Exh. cat. Washington, D.C.: The National Museum of Women in the Arts, 1991.
Harkavy, Donna. The Perpetual Well: Contemporary Art from the Collection of the Jewish Museum. Exh. cat. Gainesville, Flor.: Harn Museum of Art, 2000.
Harrison, Helen A., and Denne, Constance Ayers. Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach. New York: Chronicle Books, 2002.
Helsell, Charles. Women in Print: Prints from 3M by Contemporary Women Printmakers. Exh. cat. St. Paul: The Concourse Gallery, 1995.
Kertess, Klaus. OO: Drawings 2000 at Barbara Gladstone Gallery. Exh. cat. New York: Barbara Gladstone Gallery, 2000.
Kertess, Klaus. Painting Horizons. Exh. cat. Southampton, N.Y.: The Parrish Art Museum, 1989.
Kertess, Klaus. Drawing on the East End, 1940-1988. Exh. cat. Southampton, N.Y.: The Parrish Art Museum, NY, 1988.
Korn, Henry and Panzera, Lisa. Selections from the Collection: Guild Hall Museum. Exh. cat. East Hampton, N.Y.: Guild Hall Museum, 1998.
Krim, Dr. Mathilde, Taylor, Elizabeth, and Oliva, Achille Bonito. Drawing the Line Against AIDS. Exh. cat. Venice, Italy: AMFAR International, 1993.
Kuspit, Donald. April Gornik: Paintings and Drawings. New York and Manchester: Hudson Hills Press, 2004
Landau, Ellen G. and Talalay, Marjorie and Anselm. 25 Years: A Retrospective. Exh. cat. Cleveland: Cleveland Center for Contemporary Art, 1993.
Manchester, Robert C. Boundless Realism. Exh. cat. Corning, N.Y.: Center for Western Art at the Rockwell Museum, 1987.
Martin, Steve, et al. April Gornik: Drawings. New York. FigureGround Press, 2014.
Martin, Steve. Kindly Lent Their Owner: The Private Collection of Steve Martin. Exh. cat. Las Vegas: Bellagio Gallery, 2001.
Maxwell, Douglas. April Gornik: Paintings and Waterways. Exh. cat. New York: Edward Thorp Gallery, 1996.
Maxwell, Douglas. Landscape Not Landscape. Exh. cat. Boca Raton, Flor.: Gallery Camino Real, 1994.
Maxwell, Douglas. Timely and Timeless. Exh. cat. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994.
McCready, Eric. New American Painting: A Tribute to James and Mari Michener. Exh. cat. Austin: Archer M. Huntington Art Gallery, 1983.
Meyer, Ruth K. Night Lights. Exh. cat. Cincinnati: The Taft Museum, 1985.
Negroponte, Diana Villiers. Contemporary American Artists. Exh. cat. Mexico City, Mexico: Residence of Ambassador and Mrs. John D. Negroponte, 1990-1993.
Oresman, Janice. Art of the 80's From the Collection of Chemical Bank. Exh. cat. New Jersey: Montclair Art Museum, 1989.
Orr, Chris and Farthing, Stephen. Royal Academy Illustrated 2005. Exh. cat. London, England: Royal Academy of Arts, 2005.
Price, Marla. 10 + 10: Contemporary Soviet and American Painters. Exh. cat. New York: Harry N Abrams, 1989.
Princenthal, Nancy. Prints and Books: Artist Collaborations with Printmaker Ruth Lingen. Exh. cat. Walla Walla,WA: Donald Sheehan Gallery, 2005.
_______. "The Print Club of New York: Seventeen Years of Commissioned Prints."
Radcliffe, Carter. April Gornik. Exh. cat. New York: Edward Thorp Gallery, 1990.
Richardson, Trevor. After Nature. Exh. cat. Amherst, Mass: Herter Art Gallery, 1998.
Robinson, Joyce Henri, PhD. As Far as the Eye Can See. Exh. cat. Atlanta: Atlanta College of Art, 1998.
Rosenblum, Robert. On Modern American Art. New York: Harry N Abrams, 1999.
Rosenfeld, Daniel. Terra Incognita: New Directions in Contemporary Landscape. Exh. cat. Rhode Island: Museum of Art, Rhode Island School of Design, 1990.
Sandler, Irving. Art of the Postmodern Era. New York: Icon Editions, 1996.
Scala, Mark. Of Darkness and Light: Contemporary Landscape Painting. Exh. cat. Roanoke, Virg.: Art Museum of Western Virginia, 1999.
Scott, Sue. Collector's Choice II: Contemporary Art from Central Florida Collections. Exh. cat. Orlando, Fl.: Orlando Museum of Art, 2000.
Scott, Sue. Collector's Choice III: Audacity in Art: Selected Works from Central Florida Collections. Exh. cat. Orlando, Fl.: Orlando Museum of Art, 2000.
Shaw, Reesey. Revisiting Landscape. Exh. cat. Escondido, Calif.: California Center for the Arts Museum, 1995.
Silberstein-Storfer, Muriel, with Mablen Jones. Doing Art Together. New York: Harry N Abrams, 1997.
Silverman, Lanny. didier nolet–dreams of a man awake. Exh. Cat. Chicago: The Chicago Public Library Cultural Center, 1991.
Simms, Patterson and Stroh, Susan. 1976–1986: Ten Years of Collecting Contemporary American Art–Selections from the Edward Downe, Jr. Collection.. Exh. cat. Wellesley, Mass.: Wellesley College Museum, 1986.
Straka, Barbara. April Gornik, Bilder + Pastelle. Exh. cat. Berlin, W. Germany: Galerie Springer Berlin, 1985.
Strassfield, Christina Mossaides and Korn, Henry. April Gornik. Exh. cat. East Hampton, N.Y.: Guild Hall Museum, 1994.
Sussler, Betsy. speak art! the best of BOMB magazine's interviews with artists. New York: G+B Arts International, 1997.
Talalay, Marjorie. Cleveland Revisited. Exh. cat. Cleveland: The New Gallery of Contemporary Art, 1984.
Talbott, Susan Lubowsky. Divining Nature. Exh. cat. Winston-Salem: Southeastern Center for Contemporary Art, 1998.
Tanaka, Hiroko. Art Is Beautiful; Interviews with 25 New York Artists. Tokyo: Kawade Shobo Shinsha, 1990.
Vine, Naomi and Hales, Peter Bacon. A Certain Slant of Light: the Contemporary American Landscape. Exh. cat. Dayton: Dayton Art Institute, 1989.
Vonnegut, Kurt. Waterscapes, Landscapes. Exh. cat. New York: Glenn Horowitz Booksellers, 1999.
Walker, Barry. Public and Private: American Prints Today–the 24th National Print Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1986.
Walker, Barry. Echo Press: A Decade of Printmaking. Exh. cat. Bloomington: Indiana University Art Museum, 1990.
West, Harvey. Sources of Light: Contemporary American Luminism. Exh. cat. Seattle: Henry Art Gallery, 1985.
Wheeler, Susan. April Gornik, Paintings and Drawings. Exh. cat. New York: Edward Thorp Gallery, 2000.
Yau, John. A Contemporary View of Nature. Exh cat. Ridgefield, Conn.: Alrdich Museum of Contemporary Art, 1986.
York, Emily. Magical Secrets About Aquatint. San Francisco: Crown Point Press, 2008
Young, Dede and Maxwell, Douglas. Destiny Manifest: American Landscape Painting in the Nineties. Exh. cat. Gainesville, Flor.: Harn Museum of Art, 1996.
Youngs, Christopher. 20/20: The Visionary Legacy of Doris Chanin Freedman. Exh. cat. Reading, Penn.: Freedman Gallery Albright College, 1996.
Yount, Sylvia. Embodied Landscapes. Exh. cat. Philadelphia: Rosenwald-Wolf Gallery and the Museum of American Art of the Pennsylvania Academy of the Fine Arts, 1998

ARTICLES AND REVIEWS
Altabe, Joan. “Beautiful Dreamers.” Sarasota Herald Tribune, Sept. 17, 1993, p. 1.
Altabe, Joan. “Ringling show quadruples your pleasure.” Sarasota Herald Tribune, Sept. 12, 1993, sec. G, p. 1.
_____, “Gallery: April Gornik.” Art Express (Fall 1982): pp. 50-51.
Artner, Alan G. “Fantasies feed romance of Night Lights.” Chicago Tribune, December 7, 1984, sec. 7, p. 11.
_____, “10 + 10.” American Way: American Airlines Magazine, May 1, 1989, pp. 96-104.
Artner, Alan G. “Fantasies feed romance of ‘Night Lights’.” Chicago Tribune, Dec. 7, 1984, sec. 7, p. 11.
_____, “Venice: A Funny Thing Happened on the Way to the Biennale.” Art and Auction (June 1984): 73-4.
_____, “Gallery View.” Art Express, (February, 1982) pp. 50-1.
_____, “Gallery: April Gornik.” Art Express (January, 1981): 51.
_____, “Romance and Irony.” Arts Review, June 11-July 8, 1991.
Ezersky, Lorinda Ash. “April Gornik: A Master of Light and Landscape.” Avenue 28, no. 11 (November, 2004): 20.
Balfour, Brad. “April in the Hamptons.” New York Resident 16, no. 2 (June 30, 2003): 34.
Barreneche, Raul A. "Of No Use but Delight". New York Times, May 17, 2001, LI sec.
Barrie, Lita. “US artists twist nostalgic convention.” NBR Weekend Review, New Zealand, Dec. 1, 1990, sec. W, p. 9.
Becker, Robert. "Art: Creative Coupling." Interview (October 1982) 80-5.
Becker, Robert. "April Gornik." Artforum (March 2020).
Berlind, Robert. “April Gornik.” Art in America no. 7 (September 1981): 157.
Berman, Ann. "Power of the City/Women in the Hamptons." New York Woman, August 1989, pp. 32-4.
Blau, Douglas. "April Gornik at Edward Thorp Gallery." Art in America no. 8 (September1983): 167.
_____, “Some Promising First Appearances.” Art in America Annual (1982): 9.
Boettger, Suzaan. "Nocturnal Visions." Contemporanea II, no. 7 (October 1989): 95.
Bourdon, David. "On View," House & Garden (August 1987): 44.
Braff, Phyllis. "Collective Spaces, but Individual Visions: April Gornik". New York Times, August 22, 1999, LI sec, p. 10.
Braff, Phyllis. "APhotographic Return to People and Places," New York Times, April 5, 1998, LI sec., p. 24.
Braff, Phyllis. "The Works of Art That Inspire the Artist." The New York Times, November 15, 1998, p. 37.
Braff, Phillis, “Casting a Spell, From Lasers and Video to Light and Shadows.” New York Times, October 22, 1995, sec. C, p. 24.
Braff, Phyllis. “Meaning and Context Are Unimportant Except in Landscapes.” New York Times, August 28, 1994, LI sec., p. 18.
Braff, Phyllis. “Exhibition Is Window On Society.” New York Times, July 28, 1991, LI sec., p. 1.
Braff, Phyllis. "Landscape Themes Clarified." The New York Times, August 13, 1989, LI sec., p.18.
Braff, Phyllis. "Drawing Lines: East End Anthology." The New York Times, November 6, 1988, LI sec., p. 6.
Braff, Phyllis. "Private Pieces on Public View." The New York Times, November 29, 1987, LI sec., p. 38
Braff, Phyllis. “Faculty Show: Range of Ideas.” The New York Times, September 6, 1987, p. 14.
Brandenberg, John. “’Four Friends’ Inhabit Abstract World.” Daily Oklahoman, April 8, 1994.
_____, “Mother Nature.” The New Yorker, November 16, 1992, p. 17.
–––––, “Curious Terrain.” New York Times, January 25, 2002, p.
_____, “Newscapes–Land and City/States of Mind.” New York Times, February, 1984.
Brenson, Michael. “April Gornik.” The New York Times, October 23, 1987, sec. C, p. 34.
Brenson, Michael. "Are the Whitney Satellites Out of Orbit?" The New York Times, August 9, 1987, sec. H, pp. 31-2.
Brenson, Michael. “April Gornik.” The New York Times, April 18, 1986, sec. C, p. 28.
Brown, Gerard. "Beauty and Brains." Philadelphia Weekly, February 4, 1998, p. 50.
Brown, Kathan. “April Gornik: A Spiritual Approach.” Overview (November 1998): 1-2.
Byrd, Cathy. "Land, lots of land." Atlanta Creative Loafing 27, no. 39, (February 13, 1999): 1.
Cameron, Dan. "Opening Salvos, Part One." Arts Magazine (December 1987): 89-93.
_____, “’Four Friends’ Exhibit To Open.” Capitol Hill Beacon, March 31, 1994.
Cecil, Sarah. "April Gornik." ARTnews 84, no. 3 (March 1985): 96.
Cohrs, Timothy. "Hudson River Editions, Pelavin Editions-- A Report Back from the Other-World of Printmaking." Arts (November 1986): 41.
Costello, Kevin. “Four Friends,” Sarasota Arts Review, November 1993, p. 1.
Cotter, Holland. “A Bland Biennial”, Art in America no. 9 (September 1989): 81.
Cullinan, Helen. "Landscape given new meaning." The Cleveland Plain Dealer, January 17, 1987, sec. A, p. 2.
Cullinan, Helen. “Creativity is alive, well in new home.” Cleveland Plain Dealer, Feb. 1984
Cummings, Mary. "Thoughtful Questions On the Nature of Gifts." Southampton Press, 19 November, 1998, p. 20.
Cummings, Mary. “Designing Devices for a Timeless Weather Puzzle.” Southampton Press, August 29, 1991, p. 19.
Delatiner, Barbara. "The Spotlight Shines on Drawings."The New York Times, September 11, 1988,
Delio, Michelle. "Moving Pictures: Ancient tradition meets portable technology in the world of art." Portable Computing Direct Shopper 1, no. 12 (January 1998): 82-93.
_____, “A Look at the Natural and Unnatural.” Denver Post, March 14, 1982, sec. R, p. 11.
Diamond, Jared, “The Riddle of the Ancient Mariners.” The Sciences, May–June 1985, p. 42-43.
Diehl, Carol. "Double or Nothing." Arts & Antiques (February 1987): 73-81.
Dodero, Tony. “Landscape artist opens program at art museum.” Daily Forty-Niner, Oct. 13, 1988, p.7.
Edelman, Robert G. "Le Paysage dans la Peinture." ArtPress (March 1991): 22-29.
Enright, Robert. "The Pleasure of Their Company: Steve Martin, April Gornik and Eric Fischl in Conversation with Robert Enright." Border Crossings 19 no. 3 (August 2000): 26-46.
Enright, Robert. "The Seductions of Landscape: A Conversation with AprilGornik", Border Crossings 16, no. 3 (Summer 1997): 18-29.
Enright, Robert. Interview, Border Crossings 12 no. 1 (Winter 1993): 29-32.
Ernst, Eric. "Superstars, Nascent Stars at Parrish". The Southampton Press, July 1, 2004, Sec. 2, p. 4.
Ernst, Eric. "The Best, Not Just the Brightest". The Southampton Press, July 29, 2004, Sec. 2, p. 5.
_____, “Art in Paradise” Avenue 28, no. 7 (July, 2004): 13-14.
Ezersky, Lorinda Ash. “April Gornik: A Master of Light and Landscape” Avenue 28, no. 11 (November, 2004): 20.
_____, “Eye on Nature.” The Scarsdale Inquirer, November 4, 1994, Arts sec. p. 17.
Flam, Jack. "...And Looking Like Provincials." The Wall Street Journal, June 12, 1990, sec. A, p. 16.
Ferris, Mark. "Lesser Lights Shine." Newsday, 27 November, 1998, Arts sec., p. 1.
Fisher, Jean. "April Gornik." Artforum XXIII, no. 7 (March 1985):144-5.
_____, “‘Four Friends’ Exhibit to Open.” Capital Hill Beacon, Mar. 31, 1994,
Fox, Marilyn, J. "Freedman's First 10 Years, Anniversary of Art Gallery Celebrated." Reading Eagle, November 23, 1986, sec. D, p. 6.
Freeth, Samuel J. “Incident at Lake Nyos.” The Sciences, May–June, 1992, pp. 30-6.
_____, “‘Friends Unite for Art Show.” Daily Oklahoman, April 1, 1994, p.
Gall, Sally and Gornik, April. “Interview.”Bomb 40 (Summer 1993): .
_____, “An American Landscape.” Bomb 6 (Winter 1985): 40.
Gambino, Erica-Lynn. "A Thank-You Show at Parrish." The Southampton Press, December 17, 1998, sec. B, p. 1-2.
Garcia, Erin. "Temporalscape". Camerawork 31 No. 2 (October 2004): 55.
Genocchio, Benjamin. "With a Tranquil Air, a Respite From Fast-Paced Lives." The New York Times, November 8, 2009, Sec. ARTS LI, p 13.
Genocchio, Benjamin. "Nature in an Untouched State, Before Suburbia Called." The New York Times, February 18, 2007, Sec. LI, p. 12.
Genocchio, Benjamin. "As Fall Beckons, Women Rule." The New York Times, September 5, 2004, Sec. WE, p. 11.
Genocchio, Benjamin. "Landscapes Where the Sky is the Limit." The New York Times, September 19, 2004, Sec. 14WC, p. 8.
Giachetti, Romano. “Accademia d’Avanguardia”, Arte 261 (1989): 116.
Gilbert, Andrea. "Pilgrim's Progress: A Journey to Long Island's South Fork." ARTI Art Today 17 (November-December 1993): 144-165.
Gilmore, Jonathan. “April Gornik: The Nature of Painting.” Art in America no. 9 (October, 2005): 152-155.
Glueck, Grace. "In Artists' Prints, Work and Play", New York Times, November 5, 1999, p.
Glueck, Grace. "The New Romantics Paint the Past." New York Times, September 10, 1989, Magazine sec., p. 44.
Glueck, Grace, “April Gornik.” New York Times, November 23, 1984, sec. C, p. 20.
Goodman, Jonathan. "April Gornik at Edward Thorp." Art in America no. 2 (February 1997): 105.
Gornik, April. "Rooms in the View." Arts & Antiques (Summer 1988): 72-7.
Gottlieb, Shirle. “‘April in Long Beach.” Seabreeze, October 12, 1988, p. 10.
Gouveia, Georgette. “The relationship between nature, art is explored.” Gannett Suburban Newspapers, October 24, 1994.
Gouveia, Georgette. "Enchanted April." The Journal News, September 3, 2004, Sec. E, pp. 1-2.
Grimes, Nancy. "April Gornik." ARTnews 100, no. 11 (November 2000): 208.
Grimes, Nancy. "Whitney Biennial." Tema Celeste (July-September 1989): 65-68.
Grimes, Nancy. "April Gornik." ARTnews 87, no. 1 (January 1988) 153-4.
Halley, Mary. “A Window Into Life’s Realities.” Oklahoma Gazette, March 24, 1994, pp. 1-5.
Hansell, Freya. "Three Painters: Susan Rothenberg, April Gornik, Freya Hansell." Bomb 15 (Spring 1988): 18-23.
Harrison, Helen A. “Multiple Originals on Paper.” The New York Times, Long Island sec., June 25, 1989, p. 20.
Halley, Mary. “A Window Into Life’s Realities.” Oklahoma Gazette, March 24, 1994, p. 2.
Harrison, Helen A. "Seeing Double: Artworks That Reflect a Relationship" The New York Times. April 23, 2006, Sec. 14, p. 10.
Hayes, Erin. "Parrish Museum: North and South Forks Art Show" Hampton Jitney Magazine 5 (June 2004): 12-13.
Hay, R. Couri. “High Society.” Hamptons, June 21, 1991, p. 40
Heartney, Eleanor. "April Gornik's Stormy Weather." ARTnews 88, no. 5 (May 1989): 120 -5.
Heartney, Eleanor. “Transforming the Landscape: April Gornic.” Bijutsu Techo 41, no. 617 (December 1989): 30-45.
Hess, Elizabeth. "Gornik's Imaginary Landscapes." The New York Observer, November 2, 1987, p. 17.
Hinson, Tom. “Cleveland Collects Contemporary Art.” The Cleveland Museum of Art Members Magazine, November 1998, p. 4-6.
Hoban, Phoebe. “Artists on the Beach.” New York Magazine, July 1, 1991, pp. 37-44.
Howard, Christopher. "April Gornik: Paintings and Drawings". The Brooklyn Rail, January, 2005, p. 17.
Howe, Katherine. "April Gornik at Edward Thorp Gallery." Images and Issues, (November–December, 1983): 58-9.
Isler, Tom. "Updating the Art of Landscapes". The Southampton Press, July 1, 2004, Sec. 2, p. 3.
Israel, Nico. "this side of paradise." Vogue (June 2004) pp. 142-4
Johnson, Ken. “Art in Review: April Gornik.” New York Times, October 6, 2000, sec. E, p. 38.
Johnson, Ken. "The Hamptons, A Playground For Creativity". New York Times, August 6, 2004, Sec. E, p.29.
_____, “Inspired by Nature.” Journal of the Print World, 17 no. 4 (Fall 1994), p. 30.
_____, "April Gornik Acquisition, National Museum of American Art." Journal of the Print World 14, no. 2 (Spring 1991): p. 5.
_____, “Romance and Irony in Recent American Art.” Journal of the Print World 14, no. 3 (Summer 1991): 47.
Kalina, Richard. "Painting Horizons." Arts (November 1989): 92.
Kandel, Susan, “Gornik’s Work.” Los Angeles Times, Sept. 3, 1993.
_____, “A nice pair.” Kansas City Star, March 27, 1994.
Katz, Vincent. “April Gornik.” ARTnews 93, no. 11 (November 1994): 155.
Kazajian, Dodie. "Fast Forward." House & Garden, (February 1988): 76.
Keiser, Ellen, “April Gornik.” Country, August 18, 1995, p. 65.
_____, “A Nice Pair.” The Kansas City Star, March 27, 1994, p.
Kernan, Micheal. "A New Generation of Artists Ponder Nature's Prospects.” Smithsonian 21, no. 1 (April 1990): 104-111.
Kimmelman, Michael. “April Gornik.” New York Times, May 4, 1990, sec. C, p.
Kimmelman, Michael. "Art: 'Realism Today' at National Academy." New York Times, January 8, 1988, sec. C, p. 27.
Kimmelman, Michael. "Glasnost on Canvas: A Showing of Soviet and American Works." New York Times, May 16, 1989, sec. C, p. 15.
Kimmelman, Michael. "Nocturnal Visions in Contemporary Painting." The New York Times, April 28,1989, sec. C, p. 30.
Kohen, Helen L. "Landscape Show Rich in Tradition." Miami Herald, January 15, 1989, sec. K, p. 5.
Kohn, Michael. "April Gornik." Flash Art (April–May 1985): 39.
Kohn, Michael. "Gornik." New York Times, December 12, 1985, p. 47.
Kohn, Michael. “Gornik, Schuyff.” NY Talk, December 1994, p. 47.
Kramer, Hilton. "An Antidote to the Postmodern Blues: 'Realism Today' at the National Academy." The New York Observer, December 28, 1987, p.
Kutner, Janet. "Dallas: April Gornik at Turner & Runyon." ARTnews 97, no. 1 (January 1998): 140.
Kutner, Janet. "April Gornik at Turner and Runyon Gallery." Dallas Morning News, October 25, 1997, sec. C, p.12.
Kutner, Janet. "Spiritual mystique permeates artist's landscapes." Dallas Morning News, October 10, 1997, p. 46.
Kutner, Janet. “Preview: Turner and Runyon Reopens in Deep Ellum.” Dallas Morning News, December 13, 1996.
Landey, Jenny. “April Showers.” Hamptons, September 1, 1989, p. 39.
Landi, Ann. "April Gornik." ARTnews 101, no. 2 (February 2002): 126.
Landi, Ann. “Site Specifics.” ARTnews 96, no. 4 (April 1997): 117.
Larson, Kay. “The Children’s Hour.” New York Magazine, May 8, 1989, p. 94-5.
_____, “April Gornik, Man Ray, The Chicano Codices.” LA Weekly, September 24, 1993, p.
Lawson, Thomas. “April Gornik.” Artforum IXX, no. 10 (Summer 1981): 91.
Lawyer, Shauna. “’Four Friends’ Exhibit Opens.” Black Chronicle, March 24, 1994.
Leigh, Candace. “Honoring the Artists of the Hamptons: April Gornik.” Dan’s Papers, September 1, 1989, p. 36.
Lettingwell, Edward. "April Gornik at Danese." Art in America no. 4 (April 2002): 147-8.
Levin, Kim. “back to the landscape,” Mirabella 33 (February 1992): 32-4.
Levin, Kim. "April Gornik." Village Voice, November 10, 1987, p. 48.
Levkova-Lamm, Innesa. "10 + 10." Contemporanea II, no. 8 (November 1989): 86.
Levy, Mark. "American Sublime, Soviet Subversiveness." Art International (Spring 1990): 96-7.
Lewallen, Constance. “View: April Gornik.” Crown Point Press, Fall 1988, p. 24.
Lipson, Karin. “Modern Romantic Vision.” Newsday, June 28, 1991, p.
Lipson, Karen. "East End Drawings: With Bounds, Diversity." Newsday, October 7, 1988, p. 12.
Litt, Steven. "Finding Limelight Out of Town." Cleveland Plain Dealer, August 1, 1997, sec. E, p.1.
Litt, Steven, “Once in a lifetime smorgasbord of art in New York City.” Cleveland Plain Dealer, Nov. 8, 1992, sec. H, p. 4.
Litt, Steven. "The big picture." Cleveland Plain Dealer. March 19, 2006, Arts Sec., pp. 1–3.
Long, Robert. "Heavy Hitters At Guild Hall". East Hampton Star, July 1, 2004, Sec. C, pp. 1,6.
Long, Robert. "North Fork, South Fork". The East Hampton Star, June 3, 2004, Sec. C, p. 2-3.
Long, Robert. “Visions From Down Under.” Southampton Press, July 4, 1991, p. 2.
Long, Robert. "Parish Exhibit Explores Variety of Perspectives." Southampton Press, August 17, 1989, sec. B, p. 1.
Long, Robert. "East End Drawing Exhibition at Parrish." Southampton Press, October 13, 1988, p.
Long, Robert. “Faculty Art Is Shown.” Southampton Press, September 3, 1987
Loper, David E. “Scorched Earth.” The Sciences (September–October 1990): 24.
Loughery, John. "Landscape Painting in the Eighties: April Gornik, Ellen Phelan, and Joan Nelson." Arts Magazine 62, no. 9 (May 1988): 44-8.
Loughery, John. "The New Romantic Landscape." Arts Magazine 62, no. 3 (November1987): 107.
Lyotard, Jean-Francois. "The Sublime and Avante-Garde." Artforum XXII, no. 8 (April 1984): 39.
Mahoney, Robert. “April Gornik.” Arts (September 1990): 101.
Mann, Kenny. "Seeing But Not Looking." House in the Hamptons International (March–April 1990): 24.
McGill, Douglas. "Landscapes in Repose." New York Times, November 13, 1987, sec. C, p. 36.
McGuigan, Cathleen. "Transforming the Landscape." Newsweek, December 26, 1988, pp. 60-2.
McKenna, Kristine. "The Allure of the Dark Side." Los Angeles Times, May 20, 1990, p. 3.
McQuaid, Cate. "Charged visuals, dark themes, animated ideas." Boston Globe, February 18, 2011, online edition.
Merkling, Frank. “Aldrich: new look for a new year.” New-Times, December 28, 1986, sec. F, pp. 2-5.
Middendorf, Frances. “Land Lords,” The Newspaper, February 8, 1990, p. 10.
Newhall, Edith . “April Gornik.” ARTnews 92, no. 1 (January 1993): 129.
_____, “A Group Show Curated for NYTalk by Steven Kaplan.” NY Talk, October 1984, p. 29.
Mullen, Rachel. “Dennisons of Bernardsville lend collection to the Morris Museum.” Out and About, October 28, 1993, p. 1.
Nochlin, Linda. "En Plein Air: Recent Views of the Great Outdoors." Interview (April 1988): 18-23.
Ollman, Leah. "Art Reviews: The Great Drawing Show." Los Angeles Times, October 1, 1999, sec. F, p. 26.
Pardee, Hearne. "The New American Landscape." Arts (April 1984): 116-7.
Parks, Addison. "April Gornik," Arts (Summer1986): 116.
Parks, Addison. Arts (June 1981): 19.
Pemberton, Cade. "Guild Hall: Celebrating the Artist Next Door" Hampton Jitney Magazine 6 (July 2004): 6-9.
Pincus-Witten, Robert. "Entries..." Arts (February 1985): p. 89.
Pipkin, Francis. "Gravity Up in the Air." The Sciences (May-June 1984): 48.
Planca, Elisabetta. “un Paradiso Neoromantico.” Arte 261 (Aprile 1995): 56.
Polsky, Carol. “An Outpouring of Art.” Newsday, March 20, 1998, p. 25.
Pryor, Kelli. "Back to Nature." Avenue 13, no. 7 (February 1989): 128-137.
Raynor, Vivian. "Landscapes That Celebreate Their Makers." New York Times, August 10, 1997, Westchester sec., p.12.
Raynor, Vivien. “The Sublime, the Modern and the Literal in Views of the Land.” The New York Times, November 11, 1994, sec. WC, p. 20.
Raynor, Vivien. “An Optimist’s Eye in Ridgefield.”New York Times, December 5, 1993, sec. CN, p. 30.
Raynor, Vivien, “Art Review.” New York Times, Arts sec., May 31, 1992, p. 20.
Raynor, Vivien. “Views of Nature on Exhibit at Ridgefield’s Expanded Aldrich.” The New York Times, Arts sec., January 11, 1986, p. 30.
Raynor, Vivien. “Lipski’s Building Steam.” New York Times, Fall 1983.
Reno, Nicki. "Side By Side." The Sag Harbor Express, August 12, 2004, Sec. B, pp. 1,7.
Rice, Robin. "The Life Thing." Philadelphia City Paper, February 6, 1998, p. 29.
Rice, Robin. "Best Bets: Art." Philadelphia City Paper, January 16, 1998, p.22.
Rickey, Carrie. "Why Women Don't Express Themselves." The Village Voice, November 2, 1982, p. 1.
Rickey, Carrie. “Up Against the Wall Street: An Investor’s Guide to Galleries.” Village Voice, October 15, 1980, p. 69.
Rosenblum, Robert, “Art: Contemporary Romantic Landscapes.” Architectural Digest (May 1993): 193-230.
Rosenblum, Robert, “A Postscript: Some Recent Neo-Romantic Mutations.” Art Journal (Summer 1993): 79.
Russell, John. "Making Pen and Ink Seem Passé: The Proliferation of New Ways to Draw." The New York Times, August 11, 2000, sec. E, p. 32.
Russo, Alexander. “Master Class Offers Exhibit.” Southampton Press, August 25, 1988, sec. B, p. 1.
Sanders, Scott Russell, “Staying Put.” Orion (Winter 1992): 40.
Sansegundo, Sheridan. "American Art at the Parrish." East Hampton Star, 29 July, sec. III, p. 6.
______, “Eye on Nature.” The Scarsdale Inquirer, November 4, 1994, p. 17.
Schjeldahl, Peter. “The Muses on Strike.” Seven Days, May 17, 1989, pp. 96-105.
Sheets, Hilarie M. “April Gornik.” ArtNews 103, no.1 (January 2004): 138.
Shinoda, Tazmi. "The Landscape of April Gornik: Sensuality of the Anonymous." Mizue no. 953 (Winter 1989): 124-135.
Shinoda, Tazmi. “Best and Worst Artists in the Whitney Biennial.” Bijutsu Techo 41, no. 611 (July 1989): 166-169.
Shuebrook, Ron. “Appearances, N.S.” Vanguard (April 1984): pp. 21-25.
Shulman, Woody. “A Friendly Exhibition.” Bradenton Herald, September 24, 1993, p.
Sica, Connie. “The Illusory Space of a Landscape.” The Sag Harbor Express, July 27, 1989, Section II, p. 1.
Silverthorne, Jeanne. "April Gornik, Edward Thorp Gallery." Artforum XXII, no. 2 (October 1983): 70.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, August 17, 1995, sec. II, p. 10.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, December 8, 1994, sec. II, p. 8.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, September 8, 1994, sec. II., p. 7.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, June 30, 1994, sec. II, p. 11.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, July 11, 1991, sec. II, p.11.
Slivka, Rose. "From the Studio." East Hampton Star, August 10, 1989, sec. II, p. 7.
Slivka, Rose C.S. "From the Studio." East Hampton Star, October 29, 1988
Smith, Roberta. "Hudson Valley Conversations." New York Times, July 18, 1997, sec. C, p. 26.
Smith, Roberta. “On Long Island, Photos, Portraits, Pollock, and Stereotyping.” The New York Times, August 9, 1991, sec. C, p. 22.
Smith, Roberta. “On Long Island: Vienna, Video and Visions of Nature.” The New York Times, August 4, 1989, sec. C, p. 22.
Smith, Roberta. "Taking a Look or Two Back in the Hamptons." The New York Times, June 16, 1989, sec. C, p. 22.
Smith, Roberta. "The Manor in the Landscape." The New York Times, December 12, 1986, sec. C, p. 26.
Smith, Roberta. "Precise Visions." The Village Voice, June 7, 1983, p. 77.
Solomon Deborah. "Back to Nature." House & Garden (November 1988): 64-68.
Sozanski, Edward. "Elemental landscapes not quite of this world." The Philadelphia Enquirer, January 16, 1998, p. 32.
_____, “Scenic Strokes”, Spotlight, September 1989, p. 18, illus
Staniszewski, Mary Anne. “Gallery Guide.” Manhattan Inc. (November 1984): 107.
Straus, Marc. "Facts and Fancy." Contemporanea II, no. 5 (July–August): 86-9.
Stunda, Hilary. “April Gornik and Pat Steir.” ARTnews, 100, no. 2 (February 2000) 169.
_____, “’Cleveland Revisited’ Show to feature trio’s art works.” Sun Press, January 5, 1984, sec. A, p.9.
Sussler, Betsy. "Editor's Corner." Bomb Magazine. no. 93 (Fall, 2005): p. 14-15.
Tanaka, Hiroko. "April Gornik." High Fashion (October 1989): 288-9.
_____, “A Look at the Natural and Unnatural.” The Denver Post, March 14, 1982, sec. R, p. 11.
_____, “April Gornik review.” The New Yorker, November 16, 1992, p. 17.
Tarzan, Deloris. “Artists Trip the Light Fantastic.” The Seattle Times, April 4, 1985, Section G, p. 1-4.
Trebay, Guy. “An Opinionated Survey of the Week’s Events.” The Village Voice, May 31, 1983, p. 68.
Trittoleno, Martine. “La Vie Artiste.” French Vogue (March 1994): 223-6.
Tuchman, Phyllis. “Interpreting Nature in a SoHo Setting.” Newsday, July 27, 1988, sec. II, p.7.
Van Siclen, Bill. Outlandish Landscapes." Providence Journal-Bulletin, January 19, 1990, section D, p. 1.
Vogt, Jennifer. "April Gornik: Luminist landscapes excite the imagination." The Record-Review, February 4, 2005, p. 17.
von Mueffling, Dini. "April Gornik: The Nature of Things." Hampton Style. September 4, 2006, pp 56–59.
Wallach, Amei. "Landscape on the Horizon." Newsday, August 4, 1989, Weekend section, p. 23.
Watanabe, Nana. “April Gornik.” priv, vol 10, 2003: 84-87.
Watkins, Eileen. “Dennison Collection going on view at Morris Museum.” The Sunday Star Ledger, November 7, 1993, p. 22.
Weil, Rex. "Heaven in Earth.” ARTnews, 97, no. 3 (March 1998): 150-152.
Weinberg, Helen. "Coming Home." Dialogue (March-April 1984): 24-5.
Wolberg Weiss, Marion. "April Gornik at Danese Gallery: Where Exteriors and Interiors Meet." Dan's Papers, December 16, 2005, p. 71.
Weiss, Marion Wolberg. "Lifetime Achievement Honorees At Guild Hall" Dan's Papers, July 23, 2004, p. 74.
Weiss, Marion Wolberg. "East End Art Now at the Parrish" Dan's Papers, May 28, 2004, p. 134.
Weiss, Marion Wolberg. “Art Commentary.” Dan’s Papers, August 27, 1999, p.100.
Weiss, Marion Wolberg. "Art Commentary." Dan's Papers, December 25, 1998, p. 49.
Weiss, Marion Wolberg. "Art Commentary." Dan's Papers, April 17, 1998, p. 40.
Westfall, Stephen. "April Gornik at Edward Thorp," Art in America no. 9 (October 1986): 166-168.
Westfall, Stephen. Review, Arts Magazine (September 1982): 40.
Wilkin, Karen. "At the Galleries." Partisan Review, vol. LVII, no. 3 (1990): 452-3.
Wolberg Weiss, Marion. “Art Commentary.” Dan’s Papers, November 18, 1994, p. 51.
Wolberg Weiss, Marion. “The Masters IX At Southampton College.” Dan’s Papers, September 5, 1994, p. 143.
Wolberg Weiss, Marion. “David Salle and April Gornik at Guild Hall.” Dan’s Papers, August 19, 1994, p. 101.
Wolgamott, L. Kent. "Paintings about tension between familiar and unknown" Journal Star, August 28, 2005, Sec. K, p. 1-2.
Wulffen, Thomas. "Positionen amerikanischer Kunst." Kunstforum International Bd. 80, no. 3 (Juli-September 1985): 294.
Yau, John. “April Gornik.” Artforum XXX, no. 1 (September 1990): 153.
Zimmer, William. "Prints by Whistler in Wesleyan Exhibition." The New York Times, October 16, 1983, sec. C, p. 24.

PUBLIC COLLECTIONS
Allen Memorial Art Museum, Oberlin, OH
Art Gallery of Ontario, Toronto, CANADA
Blanton Museum of Art, Austin, TX
Boise Art Museum, Boise, ID
Brooklyn Museum of Art, NY
Carolyn Campagna Kleefeld Contemporary Art Museum, Long Beach, CA
Castellani Museum of Art, Niagra, NY
Cincinnati Museum, Cincinnati, OH
City College of New York, New York, NY
Cleveland Museum of Art, Cleveland, OH
Colby College Museum of Art, Waterville, ME
Dallas Museum of Art, Dallas, TX
Dayton Art Institute, Dayton, OH
Douglas S. Cranmer Foundation, Los Angeles, CA
Fine Arts Museums of San Francisco, CA
Fisher Landau Center, Long Island City, NY
Fort Worth Museum, Fort Worth, TX
Fort Wayne Museum of Art, Fort Wayne, IN
Guild Hall Museum, East Hampton, NY
Herbert F. Johnson Museum of Art, Ithaca, NY
Henry Art Gallery, Seattle, WA
Herbert F. Johnson Museum of Art, Ithaca, NY
High Museum of Art, Atlanta, GA
Huntington Museum of Art, Huntington, WV
Jane Voorhees Zimmerli Museum, New Brunswick, NJ
The Jewish Museum, New York City, NY
Mead Art Museum, Amherst, MA
The Metropolitan Museum of Art, NY
Milwaukee Art Museum, Milwaukee, WI
Modern Art Museum of Fort Worth, Fort Worth, TX
Museum of Fine Arts, Houston, TX
Museum of Modern Art, NY
National Museum of Women in the Arts, Washington, D.C.
Neuberger Museum of Art, Purchase, NY
New Jersey State Museum, Trenton, NJ
Neuberger Museum, Purchase, NY
Orlando Museum of Art, Orlando, FL
Parrish Art Museum, Southampton, NY
Raclin Murphy Museum of Art, University of Notre Dame, Notre Dame, IN
Smith College Museum of Art, Northampton, MA
Smithsonian American Art Museum, Washington, D.C.
United States Embassy, Beijing, China
United States Embassy, Moscow, Russia
University Gallery, University of Massachusetts, Amherst, MA
University Art Museum, C.S.U., Long Beach, CA
Weisman Art Museum, Minneapolis, MN
Whitney Museum of American Art, NY
William & Florence Schmidt Art Center, Belleville, IL
Zimmerli Art Museum, New Brunswick, NJ